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 7 Binary Options – Zulander Hack

7 Binary Options – Zulander Hack

MAME 0.223

MAME 0.223

MAME 0.223 has finally arrived, and what a release it is – there’s definitely something for everyone! Starting with some of the more esoteric additions, Linus Åkesson’s AVR-based hardware chiptune project and Power Ninja Action Challenge demos are now supported. These demos use minimal hardware to generate sound and/or video, relying on precise CPU timings to work. With this release, every hand-held LCD game from Nintendo’s Game & Watch and related lines is supported in MAME, with Donkey Kong Hockey bringing up the rear. Also of note is the Bassmate Computer fishing aid, made by Nintendo and marketed by Telko and other companies, which is clearly based on the dual-screen Game & Watch design. The steady stream of TV games hasn’t stopped, with a number of French releases from Conny/VideoJet among this month’s batch.
For the first time ever, games running on the Barcrest MPU4 video system are emulated well enough to be playable. Titles that are now working include several games based on the popular British TV game show The Crystal Maze, Adders and Ladders, The Mating Game, and Prize Tetris. In a clear win for MAME’s modular architecture, the breakthrough came through the discovery of a significant flaw in our Motorola MC6840 Programmable Timer Module emulation that was causing issues for the Fairlight CMI IIx synthesiser. In the same manner, the Busicom 141-PF desk calculator is now working, thanks to improvements made to Intel 4004 CPU emulation that came out of emulating the INTELLEC 4 development system and the prototype 4004-based controller board for Flicker pinball. The Busicom 141-PF is historically significant, being the first application of Intel’s first microprocessor.
Fans of classic vector arcade games are in for a treat this month. Former project coordinator Aaron Giles has contributed netlist-based sound emulation for thirteen Cinematronics vector games: Space War, Barrier, Star Hawk, Speed Freak, Star Castle, War of the Worlds, Sundance, Tail Gunner, Rip Off, Armor Attack, Warrior, Solar Quest and Boxing Bugs. This resolves long-standing issues with the previous simulation based on playing recorded samples. Colin Howell has also refined the sound emulation for Midway’s 280-ZZZAP and Gun Fight.
V.Smile joystick inputs are now working for all dumped cartridges, and with fixes for ROM bank selection the V.Smile Motion software is also usable. The accelerometer-based V.Smile Motion controller is not emulated, but the software can all be used with the standard V.Smile joystick controller. Another pair of systems with inputs that now work is the original Macintosh (128K/512K/512Ke) and Macintosh Plus. These systems’ keyboards are now fully emulated, including the separate numeric keypad available for the original Macintosh, the Macintosh Plus keyboard with integrated numeric keypad, and a few European ISO layout keyboards for the original Macintosh. There are still some emulation issues, but you can play Beyond Dark Castle with MAME’s Macintosh Plus emulation again.
In other home computer emulation news, MAME’s SAM Coupé driver now supports a number of peripherals that connect to the rear expansion port, a software list containing IRIX hard disk installations for SGI MIPS workstations has been added, and tape loading now works for the Specialist system (a DIY computer designed in the USSR).
Of course, there’s far more to enjoy, and you can read all about it in the whatsnew.txt file, or get the source and 64-bit Windows binary packages from the download page. (For brevity, promoted V.Smile software list entries and new Barcrest MPU4 clones made up from existing dumps have been omitted here.)

MAME Testers Bugs Fixed

New working machines

New working clones

Machines promoted to working

Clones promoted to working

New machines marked as NOT_WORKING

New clones marked as NOT_WORKING

New working software list additions

Software list items promoted to working

New NOT_WORKING software list additions

Merged pull requests

submitted by cuavas to emulation [link] [comments]

What merit if any does this "criticism" of the game have?

https://www.deviantart.com/silverstarapple/journal/The-most-overrated-part-of-Persona-5-854679198
It honestly doesn't surprise me that most Persona 5 fans don't realize the game is meant to be a commentary on Japan's corrupt cops, given how cartoonish everything is.
It doesn't surprise me that you don't even know what the game is about. Its more than about than just Japan. See here in America: https://www.reddit.com/2020PoliceBrutality/?utm_source=reddit&utm_medium=usertext&utm_name=Bad_Cop_No_Donut&utm_content=t5_2qqdb https://www.reddit.com/policebrutality/
Kamoshida is a rapist. He's the evil gym teacher in the school you're sent to at the start. He is cartoonishly abusive, and it's absurdly unrealistic that nobody would ever call him out. Then again, I know what people with low IQs are like so perhaps that's realistic. Still, he's able to manipulate everyone into thinking Ann is his girlfriend by getting Ann to ride around in his car, and he's able to manipulate Ann into doing whatever he wants by threatening to kick her best friend Shiho off the sportsball team. Just kidding, he threatens to kick her best friend Shiho off the Cheerleading team, because cheerleading is love, cheerleading is life, cheerleading just makes Shiho soooo happy... except not really, Shiho fucking hates it but never tells anyone because telling someone (like her best friend Ann) literally anything would cost action points and only you, the player, and some villains, are allowed to perform actions in this game. NPCs are decorations trying to play on your sympathies.
"Oh but you racist sexist baka gaijins don't understand, it's japanese culture to be that pro-rape!" - some insect best laughed at and ignored.
Yes because there aren't endless examples right? https://www.thedailybeast.com/in-japan-rape-cases-no-still-means-no-conviction-and-protests-are-growing Off course its more like rapists get away with this stuff for years and never get caught not say that Japan is pro rape: https://mountvernonnews.com/local-news/2020/07/18/rape-victims-often-face-shaming/ https://www.vice.com/en_us/article/7kp7q4/denmark-teacher-rape-13-year-old-case https://www.the-sun.com/news/701007/teacher-molested-students-california-child-abuse-pics/ https://www.nj.com/news/2019/04/these-24-nj-coaches-are-banned-from-their-sports-after-accusations-of-sex-abuse-drug-dealing-and-more.html
Which is the gamespoint,how people in power abuse authority! Not just in Japan! And not just teachers: https://www.reddit.com/PastorArrested/
Thanks for the strawman loser!
This story isn't a story. It's an excuse for the heroes to run through a rape-themed castle-themed literal Magical Realm(TM) and fight some enemies and kill some bosses. You can sneak around, but you need to ambush foes for the first turn and kill them ordinarily because otherwise you lack EXP and items, meaning you can't beat bosses later on. Unless you lower the difficulty or buy DLC personas of course. You need to engage in mindless battles to boost your character level, giving you the right to fuse higher-levelled Personas. The only theme or message here is that if things are so cartoonishly horrible that your only option is to listen to the magical talking cat you met in the magical realm you slipped into and begin mind-controlling important evil people, you should never question your methods or motives or targets because every villain you target is pure moustache-twirling evil, your methods literally can't harm good people, and every time anything bad goes wrong it's the fault of someone besides yourselves. Or in one rare care, the fault of your teammates for listening to democracy because it turns out Futaba The Magical Hacker got her poll hacked and couldn't notice until after the plot needed to happen. Every action you take is correct unless the game didn't want you to take it, because every time your friends have bad ideas you will be unable to say no to any of them because the plot wasn't built for that.
Like any other game? Oh and many of the mementos targets aren’t cartoonishly evil like you claim. Many are abusive assholes. https://www.google.com/amp/s/www.insider.com/psychological-abusers-use-the-courts-to-control-their-victims-2018-7%3famp
If you've ever wondered why the story of this game is so bad, or why some villains get to stay with their family members once they've "been turned good" and other villains get to stay with their family members after their "reason for being bad" is gone and other villains get to go to jail for their crimes even after being mind-controlled, it's because the writers knew they didn't need to care.
There are no examples he can give of this.
He makes a big deal of villians being forced to confess despite knowing they wouldn't otherwise because "mind-control bad" despite the game showing consequences.
Mishima, the creator of the Phantom Thieves Official Website, ends up standing on a random street alone asking random people to sign his petition, because the writers forgot he owns THE Phantom Thieves website, the website of the Phantom Thieves, who just shot a Satanist's view of God
Gnostic view of God dipshit.
But you, the player, someone fucked over by Yabbadabbado/"Igor" and his annoying little brats? You get rewards for bowing down to him and his girls. You get treats and privileges for being a model prisoner and doing exactly what your wardens want. And it's "the lessons you learned in Prison" and the masks it forced on you and parts of your psyche it reshaped (those missions where the girls tell you to fuse your personas into new ones) that eventually help you beat the final boss. If you want to "rebell against soceity" you need to play right into the hands of this evil god by doing exactly what he and his girls want when they want it. You're only allowed to stop obeying them at the end, when it's time for the big obligatory battle against an evil god. Until then, you do this evil god's bidding for his own entertainment.
And being manipulated is bad then? You say the game supports mind control then you point out it was in service to the villians, invalidating your argument of no consequences/screw up.
submitted by ryu289 to Persona5 [link] [comments]

MAME 0.222

MAME 0.222

MAME 0.222, the product of our May/June development cycle, is ready today, and it’s a very exciting release. There are lots of bug fixes, including some long-standing issues with classics like Bosconian and Gaplus, and missing pan/zoom effects in games on Seta hardware. Two more Nintendo LCD games are supported: the Panorama Screen version of Popeye, and the two-player Donkey Kong 3 Micro Vs. System. New versions of supported games include a review copy of DonPachi that allows the game to be paused for photography, and a version of the adult Qix game Gals Panic for the Taiwanese market.
Other advancements on the arcade side include audio circuitry emulation for 280-ZZZAP, and protection microcontroller emulation for Kick and Run and Captain Silver.
The GRiD Compass series were possibly the first rugged computers in the clamshell form factor, possibly best known for their use on NASA space shuttle missions in the 1980s. The initial model, the Compass 1101, is now usable in MAME. There are lots of improvements to the Tandy Color Computer drivers in this release, with better cartridge support being a theme. Acorn BBC series drivers now support Solidisk file system ROMs. Writing to IMD floppy images (popular for CP/M computers) is now supported, and a critical bug affecting writes to HFE disk images has been fixed. Software list additions include a collection of CDs for the SGI MIPS workstations.
There are several updates to Apple II emulation this month, including support for several accelerators, a new IWM floppy controller core, and support for using two memory cards simultaneously on the CFFA2. As usual, we’ve added the latest original software dumps and clean cracks to the software lists, including lots of educational titles.
Finally, the memory system has been optimised, yielding performance improvements in all emulated systems, you no longer need to avoid non-ASCII characters in paths when using the chdman tool, and jedutil supports more devices.
There were too many HyperScan RFID cards added to the software list to itemise them all here. You can read about all the updates in the whatsnew.txt file, or get the source and 64-bit Windows binary packages from the download page.

MAME Testers Bugs Fixed

New working machines

New working clones

Machines promoted to working

Clones promoted to working

New machines marked as NOT_WORKING

New clones marked as NOT_WORKING

New working software list additions

Software list items promoted to working

New NOT_WORKING software list additions

submitted by cuavas to emulation [link] [comments]

MAME 0.223

MAME 0.223

MAME 0.223 has finally arrived, and what a release it is – there’s definitely something for everyone! Starting with some of the more esoteric additions, Linus Åkesson’s AVR-based hardware chiptune project and Power Ninja Action Challenge demos are now supported. These demos use minimal hardware to generate sound and/or video, relying on precise CPU timings to work. With this release, every hand-held LCD game from Nintendo’s Game & Watch and related lines is supported in MAME, with Donkey Kong Hockey bringing up the rear. Also of note is the Bassmate Computer fishing aid, made by Nintendo and marketed by Telko and other companies, which is clearly based on the dual-screen Game & Watch design. The steady stream of TV games hasn’t stopped, with a number of French releases from Conny/VideoJet among this month’s batch.
For the first time ever, games running on the Barcrest MPU4 video system are emulated well enough to be playable. Titles that are now working include several games based on the popular British TV game show The Crystal Maze, Adders and Ladders, The Mating Game, and Prize Tetris. In a clear win for MAME’s modular architecture, the breakthrough came through the discovery of a significant flaw in our Motorola MC6840 Programmable Timer Module emulation that was causing issues for the Fairlight CMI IIx synthesiser. In the same manner, the Busicom 141-PF desk calculator is now working, thanks to improvements made to Intel 4004 CPU emulation that came out of emulating the INTELLEC 4 development system and the prototype 4004-based controller board for Flicker pinball. The Busicom 141-PF is historically significant, being the first application of Intel’s first microprocessor.
Fans of classic vector arcade games are in for a treat this month. Former project coordinator Aaron Giles has contributed netlist-based sound emulation for thirteen Cinematronics vector games: Space War, Barrier, Star Hawk, Speed Freak, Star Castle, War of the Worlds, Sundance, Tail Gunner, Rip Off, Armor Attack, Warrior, Solar Quest and Boxing Bugs. This resolves long-standing issues with the previous simulation based on playing recorded samples. Colin Howell has also refined the sound emulation for Midway’s 280-ZZZAP and Gun Fight.
V.Smile joystick inputs are now working for all dumped cartridges, and with fixes for ROM bank selection the V.Smile Motion software is also usable. The accelerometer-based V.Smile Motion controller is not emulated, but the software can all be used with the standard V.Smile joystick controller. Another pair of systems with inputs that now work is the original Macintosh (128K/512K/512Ke) and Macintosh Plus. These systems’ keyboards are now fully emulated, including the separate numeric keypad available for the original Macintosh, the Macintosh Plus keyboard with integrated numeric keypad, and a few European ISO layout keyboards for the original Macintosh. There are still some emulation issues, but you can play Beyond Dark Castle with MAME’s Macintosh Plus emulation again.
In other home computer emulation news, MAME’s SAM Coupé driver now supports a number of peripherals that connect to the rear expansion port, a software list containing IRIX hard disk installations for SGI MIPS workstations has been added, and tape loading now works for the Specialist system (a DIY computer designed in the USSR).
Of course, there’s far more to enjoy, and you can read all about it in the whatsnew.txt file, or get the source and 64-bit Windows binary packages from the download page. (For brevity, promoted V.Smile software list entries and new Barcrest MPU4 clones made up from existing dumps have been omitted here.)

MAME Testers Bugs Fixed

New working machines

New working clones

Machines promoted to working

Clones promoted to working

New machines marked as NOT_WORKING

New clones marked as NOT_WORKING

New working software list additions

Software list items promoted to working

New NOT_WORKING software list additions

Merged pull requests

submitted by cuavas to MAME [link] [comments]

I replayed (almost) all Metal Gear games... Here are all my thoughts on them!

Background:
Given the current state of the US and the world as a whole, it is not a good time to be a college student. Academic institutions have stopped to a grinding halt and have uncertain plans for the upcoming school year. Despite this, I have had no shortage of things to do. Even though I just finished my summer classes, I still have a lot to do. I continue to work remotely for my school's IT department and also do research with my professor in artificial intelligence (yes, Metal Gear influenced my career choice). My intent is not to flex my credentials or anything, but to explain my motivations. I realize how lucky I am to work on the things I love and build my career when many others can't at this moment. Still, I occasionally feel like I'm more active than I'd like to be. This is where Metal Gear comes in. I grew up with the series and haven't touched many of them in years. I was planning on revisiting the series for some time now too. Since I was at home and needed a way to destress, I said fuck it and decided to revisit all the games. I'll be explaining my thoughts with some version notes and the difficulty I played on in release order. I hope this is an entertaining read!

Metal Gear (PS3 HD Collection), Difficulty Played: Original
The one that started it all. IIRC, Kojima started development on a shoot em' up inspired by Commando but had to change direction due to the MSX2's limited hardware capabilities. Instead of fighting enemies, your objective is to avoid them. Simple, but a brilliant solution. Thus Metal Gear was born. I feel like this game has aged surprisingly well. It's not incredibly refined, but it definitely has that arcade charm and gameplay. Tactical espionage action at it's simplest. You can even see the origins of many modern MGS classics like the cardboard box, radio team, etc. This game is in desperate need of a Resident Evil-style remake though. The game's design leaves a lot to be desired. There's meaningless backtracking and the way ID cards work to open doors is absolutely moronic. And sometimes it's not really clear how to progress in the game like obtaining the bomb blast suit for example. Guards can only see in lines and the bosses are uninspiring. And despite 30 years of retcons and plot developments, the story is still vague and underdeveloped. FOXHOUND commander Big Boss sends Solid Snake to infiltrate Outer Heaven, also commanded by Big Boss (retconned as Venom Snake) to rescue Gray Fox and spread misinformation to the West (retconned as the Patriots) by... getting captured? Killed? Acquiring a false report? Not clear. And what kind of misinformation? To keep up appearances? To report Metal Gear isn't nuclear armed? Fake Big Bosses' death? Also not clear. Still, it's a humble beginning to a beloved franchise and should be appreciated.
Metal Gear 2: Solid Snake (PS3 HD Collection), Difficulty Played: Original
This is where Metal Gear really becomes Metal Gear. MG2 is an improvement over MG1 in every way. Graphics are better, gameplay is a lot better, and most importantly, it has a coherent story. It's incredibly impressive how this was developed for the same MSX2 system as MG1. And this is where Metal Gear adopts its quirky, goofy yet serious identity. You have dumb shit like "poisonous Zanzibar hamsters" juxtaposed with strong, anti-war themes. Absolutely brilliant. For an 8-bit game, it's very concise and articulate with this message. This game was so good, that the story and gameplay for MGS1 reused many of the ideas present in MG2. I think that if MG2 was remade, it would be better than MGS1 since they are the same game, but MG2 has a more interesting premise. Big Boss as the main villain is already reason enough. Not all is perfect though. The game design suffers from the same issues present in MG1 with unnecessary backtracking, the crappy card system, and confusing progression. I really think that everyone should give this a game a try since it is often underappreciated and overlooked in favor of the later games.

Metal Gear Solid (PC Integral), Difficulty Played: Extreme
If MG2 created the modern Metal Gear identity, MGS1 perfected it. Kojima and the team really outdid themselves when making this game. This game set a groundbreaking precedent in attention to detail and cinematic storytelling not just for future MGS games, but all video games that came after. To this day, I still think that MGS1 has one of the best atmospheres in gaming. The characters in this game are incredible and in my opinion have the best performances in the entire series. Every single one of them is iconic and memorable. As Otacon says though, "it's just like one of my Japanese animes." Revisiting MGS made me realize that the entire series is basically a long-running, edgy shonen anime based in video game form. You have all the iconic tropes like: a giant mecha, technobabble, superpowered characters, excessive chit-chat with villains and too much dialogue in general, every character having some sort of tragic backstory, some life lesson as a theme, and so on. None of this is bad though. In fact, it enhances the charm. The love of American action movies combined with the oddities of Japanese storytelling is what makes MGS so memorable. Unfortunately, some of the writing in this game is really jarring. MGS has really bad writing at times, but for some reason it was much more painful in this game for me than the others. The romantic elements were cringeworthy, the twists were handled poorly, and Liquid Snake, despite allegedly having an 180 IQ, has no grasp on basic genetics, among other issues. The gameplay isn't much of an innovation over MG2 either. It's just the same thing, but rendered in 3D. It added first-person mode, but that's about it. Regardless, this game is a classic.

Metal Gear Solid 2: Sons of Liberty (PS3 HD Collection), Difficulty Played: Extreme
My personal favorite of the series. Once again, it innovates on the gameplay. Although the controls take an unwieldy, maximalist approach that uses way too many buttons sometimes, it presents you with a lot of options. It's very slick and versatile once you master it. I've seen some people on this sub say that the camera is not conducive with the game design for an enjoyable experience, but I think this is exaggerated BS. I played on Extreme with no radar and did fine. You're given all the tools you need to succeed. The bosses of this game are insane though. Even the more exploitable fights like Vamp and Solidus can still be tricky. The RAY fight on Extreme has got to be my favorite boss from any video game though. It's was incredibly tense with so many opponents who could potentially one-shot you. A single mistake could be fatal. The gratification I had after decommissioning 20 of those assholes can't be described with words. As for story, I can understand how some may not like the postmodern, artsy, almost pretentious approach the it takes, but I love it. MGS2 parodies MGS1 in the most brilliant way possible. It's an amazing deconstruction of sequel expectations and many of its ideas regarding society and technology are becoming more and more relevant. I also liked Raiden as a protagonist because of how well he contrasts with Solid Snake. He also has more noticeable character development. I would like to point out that I was still a baby when this game came out in 2001. Therefore it was impossible for me to get memed by Kojima's bait-and-switch. When I first got into the series, I already knew that Raiden was the main playable character. I can understand why many were/are frustrated with this change or simply just don't like Raiden. But I think the writing just works better in this game than MGS1. Don't get me wrong, there are plenty of examples of bad writing and questionable narrative choices in this game. However, while bad writing hurts MGS1, it actually strengthens MGS2. All the incongruities and ridiculousness present in the game build on its message that there is no objective truth. Seriously, MGS2 makes me question everything that I believe in. I've never been more terrified of a video game than the entire Arsenal Gear segment, and this isn't even a horror game. Resident Evil zombies and Silent Hill fog monsters will never hurt me. But censorship, authoritarianism, and misuse of technology can. The real terror is reality. And for that, I treat this game like the Bible. I will say that my veneration of this game is a recent development. It was actually my least favorite until a few years ago. It was after seeing several analyses on this game that my opinion shifted. And since I'm older now, I naturally have a different perspective on life than I did before. MGS2 definitely gets better with age.

Metal Gear Solid 3: Snake Eater (PS3 HD Collection), Difficulty Played: Extreme
Over the years, I've had a growing sentiment that MGS3 is overrated. I was glad to be proven wrong. I still like MGS2's existential edginess more, but I concede that this game is the best MGS experience overall. This game deserves every word of praise that it receives. This entire game is an adorable homage to James Bond and other spy thrillers. Seriously, listen to that opening! The story is also the most sensible and best-written in the series. At first glance MGS3 doesn't seem to do anything bold, appearing to be very orthodox and conventional. Despite this, it never failed to excite and maintained that signature MGS personality the entire time. Additionally, the characters are all so likeable. Despite looking and sounding exactly like Solid Snake, Naked Snake has his own distinct personality. He's much more of shit-eating jokester and is a lot more social. And despite the mission he's sent on, he's super unprofessional and I love it. His characterization really adds to the atmosphere of blissful naivete this game goes for. And his chemistry with the rest of the characters is great. You have the radio support team who are also a bunch of lovable, unprofessional jokesters. Then there's EVA, who is an equally awesome female lead. The romance and sexual tension between EVA and Naked Snake actually feels natural, like normal people. It's not painfully awkward like Meryl and Solid Snake or artificial like Raiden and Rose (although that may have been the point with them). Then there's the Boss, who is one of the best supporting female characters in gaming. The contribution her powerful, motherly presence has on the story cannot be understated. The Cobra Unit was pretty shallow to be honest, but they were still memorable and were a fun collection of superpowered weirdos to fight. They didn't really need more than that. Oh, and Ocelot being retconned as a Snake fanboy is hilarious and fitting. There's too many good things about this area of the game and I need to go on. Once again, gameplay innovations! It still has the awkward MGS2 controls, but now you can use them to their full potential. While MGS3 is a super linear game, the number of strategies you can use are limitless. Look at James Howell's FOXHOUND guide on YouTube. He demonstrates multiple methods of entering and exiting the SAME room. Seriously, the dude shows like four different ways to defeat the Ocelot unit and that's barely scratching the surface. Every obtainable item can be meaningfully and that is brilliant... I need to move on but this game fucking rocks.
Metal Gear Solid: Portable Ops (PC Emulated), Difficulty Played: Normal
I gotta say this right of the bat. This shit was not fun to play. I don't really mind if a game has bad graphics, but bad performance makes me want to DIE. 20 FPS physically hurts. Literally. The choppiness gave me a few headaches. I could have increased the framerate, but I read several user reports say that it messes up cutscenes. Plus, I figured I should suffer playing through it in its pure, unadulterated form. The game controlled like garbage and the recruitment mechanic sucked. Still, it's impressive that the development team ported the Snake Eater engine to the PSP. That is an achievement that deserves to be commended. Story wise, it's standard Metal Gear. It's a good time, but I don't really like the direction it took. The inclusion of Gray Fox and Campbell was kinda random and didn't meaningfully develop their characters. They were just there for the sake of being there. Not a good or bad thing, but they could have been totally new characters and the roles would be exactly the same. I also didn't like the implication that Big Boss got the idea and resources for Outer Heaven from Gene. It just rubbed me the wrong way. And what I really didn't like was retconning the entirety of Operation Snake Eater as some elaborate assassination ploy by the CIA because The Boss was "too charismatic" or some BS like that. Like, why? She was loyal to the end. Her being a threat to the US is not consistent with her character. It implies that obtaining the Philosopher's Legacy, destroying the Shagohod, and keeping the Khrushchev administration in power is not enough justification for the US to sacrifice the Boss. It's an unnecessary complication of the story that sets a bad precedent for using "the Bosses' will" as a convenient MacGuffin to explain character motivations or conflicts. Good thing the game is considered semi-canon so I can pretend these parts didn't happen. Still, I appreciate it for what it is. It's proof that a Kojima-less Metal Gear can still be Metal Gear. Not to mention, "Calling to the Night" is an incredibly underrated theme.

Metal Gear Solid 4: Guns of the Patriots (PS3), Difficulty Played: The Boss Extreme
The greatest movie game I've ever watched. It's such a shame that this game never got an official port outside of the PS3 because this game is stunning despite the meh performance. The 30 FPS didn't really agree with me, but it wasn't headache inducing like Portable Ops. I have a pretty beefy PC rig so I could've used the custom RPCS3 build to play it at 60 FPS, but I wasn't willing to gamble on the program's stability especially when the cutscenes are so long. Just like Portable Ops, I had to experience it in its raw, unadulterated form. I really wanted to hate this game for being a fanservice disaster... but I couldn't do it. This was the first Metal Gear I completed start to finish. This is the game that got me into the series. I was like 11 or 12 at the time and I had no idea what was going on, yet every little piece of lore kept me wanting to know more about the rest of the series. Nostalgia aside, this game is the most endearing trainwreck I've ever experienced despite the clear disdain and borderline self-hatred Kojima put in while making this game. MGS4 was always going to happen, but Kojima’s involvement was uncertain. I’m genuinely curious what direction this game would’ve took if he quit the series back then. MGS2 alone is already hard to follow up on, and by also having to relate all the events in MGS3, Kojima inadvertently placed the story into a position where writing successive games would become very difficult. I wonder how Murata or whatever writer would approach the story without Kojima’s input. Would it be more or less of a clusterfuck than what it is now? Who knows? Regardless, I think MGS4 is a worthy conclusion to the series. It hits every emotional chord it needs and gives a sense of closure. It really hits you with a feeling that this is indeed the end. The “war has changed” speech gets me every time. In many ways, I feel that MGS4 is as much of a critique on gaming industry trends as it is on the military industrial complex (although it is ironic since this game features so many licensed firearms). Think about it. Forcing Snake (Kojima) back into a life of battle (video games) not because they want to (MGS2), but because they have no choice. The nature of warfare (game development), has shifted from ideology (the messages he tried to tell in MGS 1-3) to profits (fan satisfaction, corporate responsibilities, etc). The war economy strengthens this point by demonstrating how war has infiltrated ever aspect in the MGS universe, like gamer’s seeming obsession with war games like MGS. And the fact that MGS4 demystifies everything with nanomachines or some bloated conspiracy relating back to The Boss is a big middle finger to everyone who clamored for explanations. Kojima was probably like “You couldn’t think of an explanation yourself? Okay, I’ll give you an explanation appropriate for your handicapped intelligence.” In a way, it’s just as postmodern as MGS2 if not more. The metanarrative has always been MGS strong suit after all. But this is one extremely expensive art project in that case. I realize that I also need to be objective in this retrospective. Once you get into this mode of thinking, a literal pile of shit can be interpreted as a gold mine. I am not likening MGS4 to a pile of shit by the way. I’d say that MGS4 did well given what it was tasked to do. All the loose ends are tied up and it (mostly) deals with its characters very well. The characterization of Old Snake is so well done. His depiction as a fallen legend from a bygone era seeking peace is so tragic and powerful. And I really liked Raiden too, but not for the typical reason. I thought he was a good representation of the fans who failed to understand MGS2. Rather than move on and become a better person, he becomes a parody of those who just want to be “cool” and “edgy.” It reverses the dynamic in MGS2. Now that Snake is a decrepit senior citizen, epic ninja dude Raiden is the guy that everyone wants to play as now. And Meryl was excellent too, representing people who were able to mature and move on. She’s all grown up and has found her own purpose in life. It was sad seeing how far she’s moved on from Snake. The whole “marry me Johnny uwu” part was awful, but I suppose it adds to the point of moving on. Liquid Ocelot was a real treat to watch in this game as well. I thought the whole cast was pretty strong. The only character I thought was bad was Naomi. None of her actions make any sense. Even fucking Revolver Ocelot makes more sense than her and he is the king of convoluted conspiracies. She did a total 180 from her MGS1 self for no real reason and she killed herself because? Sniper Wolf and Gray Fox nostalgia? There’s a ton of cheap fanservice in this game but most of those are minor, have some purpose to the plot, or aid characterization. This instance was none of those. And in her debrief video after the virus upload, she never bothered to tell Snake that the new FOXDIE replaced the old one and he could live the rest of his life. Like seriously? This dude almost shot himself to prevent a now nonexistent threat. Plus her hot British accent is gone which is big sad. Also, Sunny contributing to FOXALIVE was kind of jarring. I understand her entire character is to show the new generation inheriting the ideals and problems of the old, but it’s just so random to have a seven-year-old prodigy. She should’ve been a little bit older. She was 11 in Rising and I was totally chill with that. Minor gripe I suppose. As a self-contained narrative, the game isn’t that confusing. However, the way it fits with previous games is super awkward. Big Boss appearing at the end of the game is also very random and has got to be the biggest violation of the “show don’t tell” principle I’ve ever seen anywhere. But given how the Japanese dub literally reconciles real-life father and son, it’s nothing short of beautiful. I prefer this over the original execution ending. Snake has suffered enough. He’s been punished since the day he was born. Personally, I will contend that the twist that the Patriots were the MGS3 support cast isn’t that bad. The identity of the Patriots has been hyped up so much that the answer could never be that satisfying. Would it really be better if they were new, original characters? Considering that they would most likely all be dead anyways, I doubt it. The hive-mind, collective consciousness that MGS2 depicted them was good, but the MGS community has proven itself incapable of abstract thinking after not understanding MGS2 in general. The whole thing would’ve worked better if Major Zero acted more like Colonel Campbell in MGS1, a “trusted” friend who knows more about the operation than he seems and is actively lying to you. The Paramedic, Sigint, and rest are whatever, but Zero wasn’t fleshed out enough to have this huge role. Hindsight is 20/20. They had no idea the plot would go this way. But shoehorning the Bosses’ will as a motivation for everything is stupid. Like I said for Portable Ops, it just became a convenient MacGuffin. There’s a sort of irony here. I could see how Zero’s world government can be traced back to the Boss with “the world can be one again”, but aside from a few throwaway lines he barely has a connection to her. What, did he really hear her entire speech from Snake’s radio? On the other end, I don’t understand how Big Bosses’ warmongering mercenaries can be interpreted from the Bosses’ ideals and he is the one who has a fleshed-out relationship with her. This is where I go “bruh moment” on the writing. Yeah, Liquid Ocelot was also stupid, but the writers had no choice and that kind of shenanigan totally makes sense for his character anyways. This is just an objectively bad cop-out. Gameplay is pretty good. Just the same as MGS3 but now it doesn’t handle like a Rube Goldberg machine. Unfortunately, you don’t really get an opportunity to use the mechanics to their full potential. The game is super cutscene heavy and only act 1 and 2 are truly conducive with experimentation. Overall, I think this game gets shit on too much and I love it.

Metal Gear Solid: Peace Walker (PS3 HD Collection)
This was actually the first Metal Gear game I ever played. My Dad got it for me on PSP close to when it was released. Unfortunately, 10 year old me was shit at video games and rage quit at the Hind boss fight so I put it on hiatus until the HD release came out. Online co-op came in clutch. I don't know why I found this game so difficult back then because now I find Peace Walker to be the easiest game out of all the Solid titles. Even the red skull vehicle missions aren’t too bad as long as you’ve grinded for the appropriate equipment. I have to mention that it was here where I was started to feel burnout from cycling through so many games so quickly. This one took me a bit longer to complete because I needed to extended breaks between sessions. But this game was still a treat. I was really confused with the plot because it seemed like Snake totally forgot about EVA’s debriefing and misremembers his fight with the Boss, but once I realized this game was about him coping with the truth rather than learning the truth, it finally clicked. For me, it cleared up a lot of the baggage left from MGS4. Outer Heaven is less of an interpretation of the Bosses’ will than it is an active rejection of it. When finally accepts the title of Big Boss, he refuses to resign himself to the same fate. That makes a lot more sense to me. Additionally, while it didn’t do that good of a job in this regard, it showed the origins of the alleged conflict between Zero and Big Boss that MGS4 mention. It also did some cool foreshadowing of the Patriot AI. I must mention that this game came out at a super awkward place. It’s post-MGS4 yet it chronologically takes place towards the beginning of the timeline. I also really liked the characters in this game. I was shocked to see how lively and colorful the entire cast was. You could tell they had a great time in the recording booth and most of it was just optional tapes! Unlike Campbell in Portable Ops, Miller is a much more realized character and has depth. He has great business acumen but is also as much of a dipshit as Snake. Then you had the bisexual chad Strangelove. I’m studying computer science, so her tapes were super interesting and relevant to me. I’d love to have her as a professor in real life. Even Cecile, a totally unimportant throwaway waifu, has some great moments in optional tapes. And it’s all very well acted too. Sadly, Hot Coldman was very uninspiring, lame villain. He was just kinda there. But it seemed clear that the real focus was the Boss AI and Cipher. Unfortunately, I don’t like David Hayter’s voice in this game. The Old Snake aesthetic doesn’t suit Big Boss. It sounded too forced to me. I’m not a big fan of Portable Ops, but they should have given Hayter the same voice direction. I am very satisfied with how they decided to expand this “Big Boss arc.” I know many don’t like how they continued the series, but I think this was a meaningful contribution. Although this is when the tech in Metal Gear got weird. Strangelove made an AI that replicated the Bosses’ thought patterns from brief personal experience and a bunch of documents. The best we have in real life is Alexa. It’s too advanced. Sure, there were always nanomachines and nuke tanks but that was all speculative fiction. I didn’t have a problem with the AI bosses. I think they were all fun and engaging. All of you who wished for human bosses are a bunch of homicidal maniacs. Although the breadth of vehicle missions suck. They’re not hard if you grind for equipment, but they are very tedious. And the grinding itself is a huge problem. So much of it is the just the same repetitive junk to farm soldiers or wait out development time. Good thing it’s only side content. I also understand that this was initially developed for the PSP, but the missions are way too short even if they are supposed to be bite-sized. Most of them can be completed in five minutes or less. But I appreciate the effort needed to put this much content into the game. Peace Walker is a great game.

Metal Gear Rising: Revengeance (PC), Difficulty Played: Hard
This whole game is a meme and I live for it. This is the only hack-and-slash I’ve ever played so I don’t consider myself super qualified to talk about its merits. But with what I’m given, I’ll say that the gameplay is slick and well-polished. Very fun to play and on top of the power-metal soundtrack, it was an adrenaline high the whole way through. It momentarily cured me of my burnout. Rising also made me to buy Devil May Cry for more of the same. Eventually I will get around to playing those games. I felt like the writing of this game was weak. To me, it was so unfocused with what it wanted to do. It went all over the place from child soldiers, free will, patriotism, and a whole bunch of other things. This game touches on a lot of interesting topics but it’s so haphazard with how it deals with it. It’ll mention some new topic and then barely develop it. It’s a shallow ocean. And it seems like the writers weren’t really sure what they wanted to do with Raiden. His “Jack the Ripper” persona is so inconsistent when it manifests. He’ll be totally normal in the game but then you call the codec and he’ll do this gravelly voice and talk about how he loves fighting or vice versa. He just has this weird multi-personality disorder that I don’t think was fully intended. But considering that this game is spinoff and a parody of the series, I give it a free pass. Raiden’s character development from MGS4 may have been completely invalidated, but since it was so over-the-top and wasn’t afraid to make fun of itself, it doesn’t offend me. All the characters from Raiden to Armstrong were all so colorful and lively. Even the radio support team has a ton of good codec moments that give a good laugh or provide good worldbuilding. It’s a blast to experience it all. And I think it’s all because Platinum nailed the tone for this game. The level of edginess in Rising was the perfect balance of both cringe and cool. And come to think of it, it barely has anything to do at with the rest of Metal Gear aside from Raiden and Sunny. Yet, it perfectly uses that Metal Gear aesthetic and fits into the universe. It feels like it “belongs” in the series. I seriously want a Rising 2.

Metal Gear Solid V: Ground Zeroes (PC)
I skipped this game at launch because even 14-year-old me knew it was a cash grab (and I had no money anyways lol). Funnily enough, I finally played it in like 2018. There’s no way to sugarcoat it, this game is just tech demo. An excellent tech demo, but a tech demo nonetheless. The Fox engine is a marvel in both graphics and performance. Easily one of the best game engines in recent years. And I’m not sure how, but I have over 30 hours on this game recorded on Steam. I probably idled the game overnight on accident, but I’m not sure. Still, it has a deceptive amount of content. I’d say it’s about the same as your average DLC. As for story, it’s a good transition from Peace Walker to MGSV. It effectively establishes the tonal change between the two games. And I really liked the little “side quest” of collecting Chico’s tapes. The way the plot unraveled itself even after you complete the main mission is a neat storytelling trick. And obviously I have to address the huge change that occurred in this game... The voice actor change. I like Kiefersnake. As much as I love David Hayter, Kiefer Sutherland’s voice really suited the character in my opinion. He sounds much more natural and gives a better impression of a non-accelerated aged man. I’ve heard some people say that it just sounds like Jack Bauer to them. This wasn’t a problem for me since I don’t watch 24, but after watching some clips of it I think this is a totally valid frustration. Anyways, decent game.

Metal Gear Solid V: The Phantom Pain (PC)
I call this one “Blue Balls: The Video Game.” I love this game. In fact, I’ve 100%ed it twice. However, my franchise fatigue got really bad at this point. I wanted to be done. My burnout was so bad, that I just skipped missions non-essential to the story. And the fact that I was able to do this what I think is the game’s biggest weakness. Many of the missions are inconsequential and only tangentially related to the main story. I really wish the whole story followed the example of missions 28, 29, 30, and 31, which comprise the segment where you meet Code Talker, cure the parasite outbreak, and then confront Skull Face. You had a little bit of cutscene and exposition before the mission, and then a little bit of cutscene and exposition afterwards. Sometimes there isn’t even a helicopter ride in or out. It doesn’t even have to be that much, just enough to ensure that a consistent and comprehensible story can be told. Basically, just follow Peace Walker’s example. If it were up to me, I would restructure the story entirely. I would have most of chapter 1 hype up this bombastic, lofty, hate-filled crusade against Cipher and Skull Face. Then, missions 28, 29, 30, and 31 happen as they did normally. Huey still kills Skull Face. I think that a boss fight with him misses the entire point of what this game was going for. The end of chapter 1 should remain dissatisfying and anticlimactic to preserve the message that revenge is a wasted effort. Then chapter 2 is where you put all the mundane missions like mission 10: rescue some guy or mission 15: get rid of these Walker Gears. Juxtapose these basic “job” missions with all the misfortunes like the second outbreak, Quiet’s sacrifice, Eli stealing Sahelanthropus, etc and you strengthen what chapter 1 was going for. After the characters get their “revenge,” life just goes on for them. The major threat is gone and all there is to do is to keep doing more jobs. And that’s when you realize that they really haven’t solved anything, and nothing has changed since this new state of normalcy. And finally, you learn the truth after becoming far too entrenched in the body double ruse to ever find a way out. Not to put myself on a pedestal since this is my idea, but I think this is a better way to tell the story. It preserves the writer’s intent but reordering it in such a way that it’s not a disjointed mess. It’s such a shame since I think that MGSV has a cool story with a lot of great ideas but is hampered with a botched presentation. All that stuff about language really grabbed my attention. It really got me thinking. And where MGS4 had too many cutscenes, MGSV had too little. Which sucks since the cinematography is so well done. Not only that, but I don’t like how the tapes were handled. In Peace Walker, they were entirely optional and provided additional context or characterization while the voice actors goofed off in the recording studio. Now, some of those tapes hold important plot points that easy to neglect due to the formatting. And when you do listen to them, you’re probably half paying attention since you’re also doing a side op at the same time and then you get Ocelot’s daily reminder to hide from a chopper or some other distraction. You could listen in the ACC or on base, but that hurts the pacing of the game since it forces unnecessary inactivity. And a lot of this information should’ve been better integrated into the cinematics. But objectively, the content of the tapes are interesting and well-performed. But again, botched presentation. This “audio diary” method works best in games like Bioshock that make heavy use of atmosphere and environmental story telling. MGSV was not well-designed with those in mind given the open world. And it really failed to capitalize on the cast’s talent. Especially Kiefersnake who was such a wasted opportunity. He doesn’t need to be super talkative, but I would’ve liked a little bit more than what we got in the game. The characters are a weak point in general. Kaz is a one-dimensional. Ocelot is still a devil’s advocate kinda guy but it’s a lot more subdued. Quiet was alright. And Volgin, Liquid, and Psycho Mantis honestly didn’t add anything meaningful. Huey and Skull Face were fantastic though. Huey being an absolute piece of shit actually enhances the Otacon and Solid Snake bromance. It gives them a shared trauma of wanting to absolve the sins of the father and illustrates how much better they are than their predecessors. Plus, despite how despicable Huey was, many of his accusations towards Diamond Dogs were very valid. So even is the good guy anymore? And Skull Face was epic. He is an amalgamation of many MGS villain traits. He’s got Volgin’s cruelty, Ocelot’s cunning, Solidus’ charisma and idealism, etc. He’s a delightful cocktail of evil. Too bad he didn’t show up more. Kojima claiming that his absence as well as other things to enhance the “phantom pain” just comes off as an excuse to me. I also really like the body double twist. I made a comment on another post addressing this so I’ll just copy paste it here:
MSGV’s ending is not an acknowledgement to the fans and is a brilliant inversion of MGS2’s ending. In MGS2, Solid Snake encourages Raiden to break free and form his own identity separate from the Snake persona as well as the player. In MGSV, Venom Snake’s identity is completely erased and replaced with that of Big Boss. The title of “Big Boss” is extended to Venom and is depicted like some kind of “gift.” What kind of deranged, mentally ill person would accept ever accept a gift like that? 9 years and your entire identity lost while becoming a human shield just to get some lousy recognition. Big Boss has to carefully word himself so you don’t completely lose your mind. While Raiden became his own man independent of the fans, Big Boss and Venom (you the player) are now one in the same. You’re just an expendable tool doomed to a life of eternal warfare. I think it’s Kojima’s way of saying “Thank you for you contributions... Wait, you’re not satisfied yet? Here, you can be Big Boss too. You get no peace now, keep fighting these meaningless proxy wars (video games).”
I interpret it as a final “fuck you assholes!” that Kojima disguised as a compliment and I love it. The dude has always had a tumultuous relationship with fans. But again, we must do an objective analysis. My only problem with it is that I feel like it wasn’t incorporated well into the story and it’s somewhat obvious from the beginning. In comparison, MGS2’s twist is handled with a lot more care, with it slowly unraveling throughout the whole thing rather than character creation, a couple throwaway lines, and then boom you remember the prologue differently. And in general, the reveal itself is not handled well. Mission 46 is exactly the same as the prologue aside from the beginning and end of it. I wish there was more effort to differentiate them from each other. Maybe play as Ishmael? The overall mission would play out the same, but it would be enough difference to justify replaying it. Anyways, gameplay is easily peak of the series. If you let go of tranquilizing everything and start formulating weird, unorthodox strategies you can have a lot of fun with this game. It sucks to have to budget your resources, especially with the higher tier equipment, but it’s manageable. The main ops are all pretty good, just wish that they hall had perfect stealth, subsistence, extreme, etc. But thank God for PC modding. The side ops a trash though. Peace Walker’s had issues but at least they had variety. MGSV’s are all the same thing. Overall, I think the game was too ambitious. The gameplay is phenomenal, but the story comes off as a less elegant MGS2 to me. Still like it though. They tried.

Metal Gear Survive (PC)
I actually skipped this game on release and have not played it until now. I actually planned on stopping at TPP, but this game was like $7 on Steam sale and I wanted to experience all its shitty glory for myself. It's not great..., but not terrible either. Just very mediocre. I don't know why I should invest my time into this game when I can go play Resident Evil or Fallout instead. The story is meh and the characterization is laughably terrible. I chuckled when Nicholas said he would miss Dite if we left, as if I had any attachment whatsoever to the location or characters. I had a soft spot for Miranda though since she looks and sounds like a girl I used to date, but that's about it. And you thought Venom didn't like talking? I think the Captain says less than five words the entire game. The silent protagonist thing doesn't work well here. Admittedly I spent way too much time making the player character look like me. Finally, a Filipino video game protagonist lmao. Anyways, the gameplay itself is not satisfying. I found it boring and repetitive. Doesn't help that the world is uninteresting and a pain in the ass to explore. Everything looks the same and the way that the map works is an inconvenience that doesn't add any challenge or depth. It was also depressing to see all MGSV assets so blatantly and lazily reused. I screamed when I saw Luftwa Mansion. And nanobot zombies is such a stupid and novel idea, so why didn't the devs at least have fun with it? This game had some serious potential to be a hilarious meme loved by the community like Rising, but it's too lifeless and dull to come even close. I don't know why the game was directed this way. I could see how this game could be a good co-op experience, but the underlying experience is so unimpressive that I don't want to invest more time into it. A total waste of the FOX Engine and the team's talent. It's such a shame since the intro of the game hooked me by showing the aftermath of Ground Zeroes. They should have made a game where they followed MSF remnants continuing operations in Central America, a sort of Peace Walker-lite. Or they could have made a game following XOF with Reeve as the main character. Anything above those lines would have been better.
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